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	<title>MARGUTTE &#187; Elémire Zolla</title>
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		<title>1915-2015: centenario dell&#8217;ingresso dell&#8217;Italia nella Grande Guerra. Un percorso narrativo</title>
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		<pubDate>Sun, 24 May 2015 07:10:32 +0000</pubDate>
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				<category><![CDATA[La valigia di Hermes]]></category>
		<category><![CDATA[Saggistica]]></category>
		<category><![CDATA[Churchill]]></category>
		<category><![CDATA[Elémire Zolla]]></category>
		<category><![CDATA[Grande Guerre]]></category>
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		<category><![CDATA[Grosse Kriege]]></category>
		<category><![CDATA[Hemingway]]></category>
		<category><![CDATA[la Grande Guerra]]></category>
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		<description><![CDATA[STEFANO CASARINO. 1. “L’inutile strage” di Attilio Ianniello ha il raro pregio di far comprendere come fu vissuta la guerra del ’15-’18 a Mondovì: è una riflessione importante, perché troppo spesso si tende a dimenticare che la Storia non riguarda&#8230;<p class="more-link-p"><a class="more-link" href="https://www.margutte.com/?p=10956">Read more &#8594;</a></p>]]></description>
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		<title>Le vie del colore.</title>
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		<pubDate>Thu, 25 Sep 2014 05:45:52 +0000</pubDate>
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		<category><![CDATA[Elémire Zolla]]></category>
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		<category><![CDATA[Fiorenza De Angelis]]></category>
		<category><![CDATA[Marc Chagall]]></category>
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		<category><![CDATA[pittura introspettiva]]></category>
		<category><![CDATA[René Guenon]]></category>
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		<description><![CDATA[ATTILIO IANNIELLO «Nel dipingere, soprattutto con gli acquerelli, si possono sperimentare le qualità delle più diverse tonalità di colore, mescolando le varie sfumature e rendendole più tenui o più intense», scrive Eva Mees-Christeller. «Il linguaggio del colore, l’atmosfera del colore,&#8230;<p class="more-link-p"><a class="more-link" href="https://www.margutte.com/?p=7426">Read more &#8594;</a></p>]]></description>
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